{"id":2512,"date":"2021-05-10T18:38:44","date_gmt":"2021-05-10T16:38:44","guid":{"rendered":"https:\/\/gauthierkeyaerts.com\/blog\/?p=2512"},"modified":"2021-05-28T18:41:16","modified_gmt":"2021-05-28T16:41:16","slug":"gauthier-keyaerts-totem-1-live-in-brussels-10may2021","status":"publish","type":"post","link":"https:\/\/gauthierkeyaerts.com\/blog\/gauthier-keyaerts-totem-1-live-in-brussels-10may2021\/","title":{"rendered":"Gauthier Keyaerts &#8211; Totem #1 &#8211; live in Brussels (10May2021) &#8211; WORK IN PROGRESS"},"content":{"rendered":"<p>Allez, un petit coup d&rsquo;anglais!<\/p>\n<p><em><strong>TOTEM#1<\/strong> <\/em>is the first <strong>draft<\/strong> of a \u2018monumental\u2019 work that puts together music \/ soundscapes and poems from all around the world, read by the poets (in order of appearance: Miguel Angel Real, Kate Rex, Jean-Marc Desgent, Roger West, El\u00ed Urbina Montenegro, Charles Pennequin, Manuel Neto Dos Santos, Fr\u00e9d\u00e9rique Soumagne, Bertrand Laverdure) who wrote them in their original language. Some poets also pay a tribute to Antonin Artaud.<\/p>\n<p>Totem is\u2026 gather the world into the same space, be connected to what unites us at any given moment &#8211; microscopic yet infinite, through poetry and music.<\/p>\n<p>Miguel Angel Real (Spain): Un homenaje en un minuto<br \/>\nKate Rex (England): extract from L&rsquo;Ombilic des limbes (Antonin Artaud)<br \/>\nJean-Marc Desgent (Quebec): Poem for the installation \u00ab\u00a0L&rsquo;oeil Sampler#2\u00a0\u00bb<br \/>\nRoger West (Scotland): Postcard from Bertrand Laverdure (work in progress)<br \/>\nEl\u00ed Urbina Montenegro (Peru): Guardo Hospedada en mi memoria<br \/>\nCharles Pennequin (France): Insulte \u00e0 l&rsquo;inconditionn\u00e9 (Antonin Artaud)<br \/>\nManuel Neto Dos Santos (Portugal): Cada verso \u00e9 um p\u00e1ssaro<br \/>\nFr\u00e9d\u00e9rique Soumagne (France): Poem for Gauthier Keyaerts\u2019 installation \u00ab\u00a0L&rsquo;oeil Sampler#2\u00a0\u00bb<br \/>\nBertrand Laverdure (Quebec): L\u2019arbre est politique (\u00ab\u00a0L&rsquo;oeil Sampler#2\u00a0\u00bb)<\/p>\n<p>Live session (impro), mastering and editing : Gauthier Keyaerts<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1048738321&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Allez, un petit coup d&rsquo;anglais! TOTEM#1 is the first draft of a \u2018monumental\u2019 work that puts together music \/ soundscapes and poems from all around the world, read by the poets (in order of appearance: Miguel Angel Real, Kate Rex, Jean-Marc Desgent, Roger West, El\u00ed Urbina Montenegro, Charles Pennequin, Manuel Neto Dos Santos, Fr\u00e9d\u00e9rique Soumagne, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-2512","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/posts\/2512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/comments?post=2512"}],"version-history":[{"count":0,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/posts\/2512\/revisions"}],"wp:attachment":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/media?parent=2512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/categories?post=2512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/tags?post=2512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}