{"id":1410,"date":"2019-12-22T00:04:00","date_gmt":"2019-12-21T23:04:00","guid":{"rendered":"https:\/\/gauthierkeyaerts.com\/blog\/?page_id=1410"},"modified":"2019-12-22T00:09:32","modified_gmt":"2019-12-21T23:09:32","slug":"peintures-electroniques","status":"publish","type":"page","link":"https:\/\/gauthierkeyaerts.com\/blog\/peintures-electroniques\/","title":{"rendered":"Peintures \u00e9lectroniques #1. 2009-2010"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Analyses musico-digitales environnementales et physionomiques du tissu sonore urbain bruxellois<\/strong>, et utilisation des sources recueillies \u00e0 des fins de composition. Projet financ\u00e9 par la Communaut\u00e9 Fran\u00e7aise de Belgique.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/724550209&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/724550089&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/724547788&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/724547986&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/724547770&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Analyses musico-digitales environnementales et physionomiques du tissu sonore urbain bruxellois, et utilisation des sources recueillies \u00e0 des fins de composition. Projet financ\u00e9 par la Communaut\u00e9 Fran\u00e7aise de Belgique. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1410","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/pages\/1410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/comments?post=1410"}],"version-history":[{"count":0,"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/pages\/1410\/revisions"}],"wp:attachment":[{"href":"https:\/\/gauthierkeyaerts.com\/blog\/wp-json\/wp\/v2\/media?parent=1410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}